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      <image:title>Press - Creative Producer Felicitas Funke</image:title>
      <image:caption>Meet Feli and join the conversation about four seasons of cowboy life in the wide-open spaces of the American West at the Go West Film Festival at noon, Friday, November 11.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Press - German feature on "Cowboys" Creative Producer Felicitas Funke</image:title>
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      <image:title>Press - German feature on "Cowboys" Creative Producer Felicitas Funke</image:title>
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    <lastmod>2020-12-08</lastmod>
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      <image:title>Press - Idaho Mountain Express exclusive interview with Felicitas Funke</image:title>
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    <lastmod>2020-12-08</lastmod>
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    <lastmod>2020-12-07</lastmod>
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    <lastmod>2020-12-07</lastmod>
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      <image:title>Press - The Tom Barnard Podcast with directors Bud Force and John Langmore</image:title>
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    <lastmod>2020-12-07</lastmod>
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    <lastmod>2020-12-10</lastmod>
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    <lastmod>2020-10-19</lastmod>
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      <image:title>Press - Austin Film Festival Alumni Blog</image:title>
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    <lastmod>2020-10-12</lastmod>
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    <lastmod>2020-03-23</lastmod>
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      <image:title>Press - REVIEW: LONESOME LANDS</image:title>
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    <lastmod>2020-12-10</lastmod>
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      <image:title>Press - REVIEW: THE AUSTIN CHRONICLE</image:title>
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    <lastmod>2020-10-19</lastmod>
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      <image:title>Press - VARIETY: World Premiere of "Cowboys: A Documentary Portrait"</image:title>
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    <lastmod>2020-03-23</lastmod>
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      <image:title>Press - CINEMAWORKS LATE NIGHT</image:title>
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    <loc>https://www.thecowboymovie.com/press/2020/1/1/kxan-nbc-austin-has-potential-to-be-ground-zero-for-boon-in-non-fiction-films</loc>
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    <lastmod>2020-03-23</lastmod>
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      <image:title>Press - KXAN NBC: Austin has Potential to be "Ground Zero" for Boon in Non-Fiction Films. Interview with co-director John Langmore.</image:title>
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    <lastmod>2020-10-19</lastmod>
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      <image:title>Press - WESTERN HORSEMAN: Drone on the Range</image:title>
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    <lastmod>2020-10-19</lastmod>
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      <image:title>Press - Western Horseman: Cowboys in Motion</image:title>
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    <lastmod>2020-03-23</lastmod>
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      <image:title>Press - TRI STATE NEWS: WRCA Announces Special Screening of "Cowboys: A Documentary Portrait"</image:title>
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    <lastmod>2020-10-19</lastmod>
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      <image:title>Press - FILMSUPPLY features "Cowboys: A Documentary Portrait" editor Lucas J. Harger</image:title>
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    <lastmod>2020-10-19</lastmod>
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      <image:caption>The film crew follows several cowboys in Northern Nevada as they head into the high desert to gather cattle.</image:caption>
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      <image:caption>Long days and short nights over the course of two years eventually created 174 hours of cinematography used to cut COWBOYS. Co-directors/producers Bud Force (left) and John Langmore (right).</image:caption>
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      <image:caption>Discussing an interview plan of action on the first shoot of “Cowboys” at Singleton Ranches in New Mexico.</image:caption>
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      <image:caption>Filming conditions were often tough for the crew as they fought elements ranging from Wyoming blizzards to blinding Arizona dust.</image:caption>
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      <image:caption>“Cowboys” is a multimedia film featuring cinematic ground and aerial footage juxtaposed with black and white film photographs shot by renowned Western photographer John Langmore.</image:caption>
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      <image:caption>Co-director and DP Bud Force shoots a smoky branding scene in Arizona.</image:caption>
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      <image:caption>Camera operator Tito West working light and fast as cowboys brand cattle. The crew had to operate with as small a footprint as possible in order to minimize interference with the livestock and work.</image:caption>
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      <image:caption>Camera operator/DIT Hank Wisrodt downloads footage and charges batteries in the field. Equipment cleaning and management was a full time job in less than optimal conditions.</image:caption>
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      <image:caption>Emmy-Award winning editor Lucas J. Harger spent over a year cutting Cowboys into a multi-dimensional film about a culture many do not understand or even know exists.</image:caption>
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      <image:caption>The film crew had to be fully immersed with the cowboys as they performed their annual work, which often meant sleeping and living in the same conditions.</image:caption>
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      <image:caption>Operating fast and light in inclement weather yet again.</image:caption>
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      <image:caption>Although zero scenes in “Cowboys” were staged outside of sit down interviews, every detail of the film has been examined in excruciating detail to produce the most authentic documentary ever made about the contemporary working cowboy.</image:caption>
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      <image:caption>John Langmore capturing still images on production, which are featured throughout the film.</image:caption>
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      <image:caption>Cowboys was 100% shot with natural light and no scene staging.</image:caption>
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      <image:caption>Framing a shot in Northern Nevada.</image:caption>
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      <image:caption>The crew drove and flew thousands of miles to produce Cowboys, which was filmed for two years in eight states across the American West.</image:caption>
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